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For a list of movies featuring white women with black men, click here.

The painting represents the marriage of Cupid, the son of Venus, with the mortal Psyche, in the presence of Juno, Jupiter, Mars, and other gods of Olympus as narrated by Apuleius in The Golden Ass. Terisio Pignatti in collaboration with Kenneth Donahue The Golden Century of Venetian Painting.

Pino links him with the younger Jacopo Tintoretto, chiding each of them for working with too much "prestezza" (quickness)—a reference to the loose, highly pictorial styles they developed.

21 February 2016 By Kelly Bedard // TV This sweet and salty CW musical comedy is a little uneven and it took a few episodes for the characters and overall point of view to start to really come into focus but, halfway into its first season (a Golden Globe win for Best Actress already secured), has developed into one of the most refreshing hours of television on offer these days.

Many are based more on sex than love, so we’ve been careful to point out those cases in the notes section below.

In addition, we’ve tried to make a note of any themes that some may find offensive, such as racial violence, misogyny, and so forth, even if a given film may have great artistic or socio-political value.

A few episodes ago, our brilliant, hilarious, “crazy” heroine had a breakthrough in which she finally confessed to her best friend that she’s in love with Josh Chan.

Her insistent denial up to that moment was an intensely relatable, totally wackadoo feature of the show that points to the brilliant complexity of the psychological storytelling going on here.

Does it have to be a white guy, or a white-looking guy?

There are a number of short films (typically under 20 minutes long) that show Asian and Black couples, but in this post, we only focus on full feature-length movies.

In most of these movies, the Asian and Black couples are only a small part of the movie and are not featured prominently – except for a few like , and the documentaries – but at least they are shown, which is more than you can say for other movies.

Originally an octagon (the four corners are additions), it was the central panel of a ceiling with scenes from the legend of Psyche painted by Schiavone in about 1550 for the Castello di Salvatore di Collalto, in the hills to the north of Venice. 56, 57 (overall and detail), tentatively date it to the late 1540s or early 1550s, before Schiavone's paintings in the Libreria, Venice; call it almost certainly the painting mentioned by Ridolfi in the Castello di San Salvatore, Collalto; suggest that Schiavone may have been influenced by a ceiling decoration (Palazzo del Te, Mantua) of the same subject painted by Giuliano Romano and pupils in about 1528.

Schiavone’s fluid and painterly style and the exaggerated proportions of his figures were inspired by Parmigianino and were in turn important to a younger generation of painters such as Tintoretto. Italian Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art, Venetian School.

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Prior to the 1960s, it was very common for light-skinned black characters to be portrayed by white actors (especially when paired romantically or sexually with a white character), so where applicable, you’ll find information on that in the notes column as well.

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